Tess Takahashi is a Toronto-based scholar, writer, and programmer who focuses on experimental moving image arts. She is currently working on two book projects, Impure Film: Medium Specificity and the North American Avant-Garde (1968-2008), which examines artists' work with historically new media, and Encounters with Digital Magnitude, which considers artists' work against the backdrop of Big Data and data visualization. Takahashi has been scholar-in-residence at the Film-Makers' Co-op in New York City (2015), at Canyon Cinema in San Francisco (2016-17), and the Canadian Filmmakers' Distribution Center in Toronto (2017-8). She is a member of the experimental media programming collective Ad Hoc and the editorial collective for Camera Obscura: Feminism, Culture, and Media. Takahashi's writing has been published there as well as in Cinema Journal, the Millennium Film Journal, Animation, MIRAGE, and Cinema Scope.
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